Definitely it would be the worst movie for those interested in entering Lynch's filmography, although fans of the director will not only know what to expect from this feature-length film, but will also see his most ambitious, grotesque, sublime, and deliciously confusing and impenetrable work. 1960s Era Commercial Stevens hammerless side by side shotgun - 12 gauge. David Lynch is good at what he does, but some times what he does isnt going to be everyones cup of tea and so when it comes to Wild at Heart I find. The result is a challenging three-hour footage that follows a similar line to 'Por el lado oscuro del camino' ('Lost Highway') and 'Sueños, misterios y secretos' ('Mulholland Drive') -unofficially forming the 'Trilogía de Los Ángeles'-, interweaving various nightmarish stories whose relationships between them are abstract at best, filmed in digital video format that exalts its delirious aesthetics. Both Bobby Peru ( Willem Dafoe) and the feed store cashier pull out 12 Gauge Double Barreled Shotguns during the films climax. Produced and released at the height of Twin Peaks mania, Lynch’s 1990 crime thriller follows two lovers, Sailor Ripley (Nicholas Cage) and Lula Pace Fortune (Laura Dern), on a surreal road trip through the American south.

It is also David Lynch in his most 'lynchian' mode, offering here what appears to be a story of an actress (Laura Dern) who, when submitting to filming the remake of an unfinished and supposedly cursed movie, gradually loses her contact with reality. This quote by Lula pretty much epitomizes everything David Lynch stands for. David Lynch 2006 With totally and absolutely surreal aspirations that discard all traditional narrative logic, 'El imperio' ('Inland Empire') is, so far, the last feature-length film by David Lynch ('Eraserhead').

Wild at heart (1990) dir. david lynch